She forged a new way to look at racism

Aunjanue Ellis-Taylor stars as author Isabel Wilkerson in Origin. (Photos by Atsushi Nishijima/courtesy of Neon)

By Richard Ades

Isabel Wilkerson’s 2020 book Caste: The Origins of Our Discontents was praised for its incisive comparison between racial repression in the U.S. and repressive systems in other countries. In particular, it looked at India’s caste system and Nazi Germany’s genocidal antisemitism.

Now writer-director Ava DuVernay has transformed that best-selling book into a semibiographical movie called Origin, which explains the challenges Wilkerson faced as she was formulating her provocative ideas. Besides facing pushback from African Americans and others who questioned her thesis, we learn, she lost several beloved members of her family.

DuVernay, who wrote the script with Wilkerson herself, apparently hopes these personal tragedies will inject enough drama into the film to prevent it from coming off as a mere lecture.

Wilkerson (Aunjanue Ellis-Taylor, right) is comforted by her husband, Brett (Jon Bernthal).

First, the bad news: It still comes off largely as a lecture despite solid acting by Aunjanue Ellis-Taylor (as Wilkerson) and the rest of the cast. But the good news is that the lecture imparts enough details about Wilkerson’s revolutionary thesis to be worthwhile. Those who haven’t read the book will find it enlightening, while those who have read it may see it as a useful recap.

In a nutshell, Wilkerson contends that our country’s history of repression toward Blacks—from slavery and racist laws to the recent murders of innocent African Americans such as Trayvon Martin—has much in common with other societies’ attempts to devalue certain groups and depict their members as less than human.

In India, that group is the Dalits (formerly known as the Untouchables), who often are denied educational opportunities and relegated to the most menial of jobs. In Nazi Germany, of course, that group was the Jews.

Throughout the film, historical incidents are recreated to give the victims and perpetrators of repression a human face. Among others, we meet a Black couple and a White couple who worked undercover to understand racism in the Jim Crow South. We also meet a Gentile man and a Jewish woman who fell in love in Germany during the rise of Naziism.

Nazis hold a public book burning in a scene from Origin.

Dramatically, perhaps the most effective of these recreations involves a young Black baseball player who wasn’t allowed to swim when his White teammates dropped by the local pool. Historically, the most shocking scene (for those unfamiliar with Wilkerson’s book) shows Nazi officials patterning Germany’s antisemitic laws after American laws that relegated Blacks to second-class citizenship.

In the more contemporary scenes involving Ellis-Taylor’s Wilkerson, the other major cast members include Jon Bernthal as her husband, Brett; Emily Yancy as her mother, Ruby; and Niecy Nash as her cousin, Marion.   

DuVernay’s 2014 film Selma was a fascinating look at Martin Luther King and the pivotal role he played in the Civil Rights movement. The director’s new film may not be as dramatically effective, but it is every bit as illuminating.

Rating: 3 stars (out of 5)

Origin (PG-13) can be seen in theaters nationwide.

Injustice, inequality fuel two angry films

A disguised Cassie (Carrie Milligan) is on the prowl for sexual predators in Promising Young Woman.

By Richard Ades

Righteous anger has been such an overwhelming force in society recently that it’s not surprising it sometimes makes its way into the movies. One of the prime examples was released to theaters in late 2020 and subsequently was named the best film of that year by my colleagues in the Columbus Film Critics Association.

Promising Young Woman is the sad and provocative tale of Cassie (Carrie Milligan), a 30-ish coffee shop clerk who lives with her parents and has long since abandoned her career goal of becoming a doctor. Her reason for doing so isn’t revealed until well after we see the dangerous charade it’s led her into. Hitting the local bars and acting like she’s drunk herself into oblivion, she methodically fools men into thinking they can take advantage of her “helpless” condition—only to discover otherwise after they’ve taken her home.

Written and directed by Emerald Fenner, Promising Young Woman has been called a “Me Too” revenge tale, but that’s somewhat misleading. Cassie isn’t out for blood as much as she’s in search of justice and relief from the sorrow she feels over a long-ago sexual assault. Just how she goes about that search, and the psychological cost she pays in the process, is revealed so slyly and powerfully that Columbus critics also gave the film four additional citations, including nods for best actress (for Milligan) and best original screenplay (for Fenner).

Oscar nominations are likewise predicted to be in store for this offbeat thriller. Luckily for the curious but safety-minded, it is now being made available through VOD outlets.

Balram (Adarsh Gourav) has dreams of becoming a successful entrepreneur in The White Tiger.

Even angrier than Promising Young Woman is The White Tiger, an India-set tale that American director Ramin Bahrani adapted from a book by Aravind Adiga. Its plucky protagonist is Balram (played with ferocious wit by Adarsh Gourav), who was born into poverty but is committed to becoming a successful entrepreneur by any means necessary. He narrates the story of his efforts in the form of a letter he’s writing to a Chinese official who’s expected to visit India.

Balram believes his main problem is the servile attitude he shares with other Indians who weren’t born into wealth. As he sees it, this leads them to spend all their energy serving masters who often repay them with abuse and inadequate wages. Balram is determined to break this curse by finding a master who is worthy of his service and can help him better himself.

His choice is Ashok (Rajkummar Rao), a young businessman who’s just returned from the U.S. with his Indian American wife, Pinky (Quantico’s Priyanka Chopra). Balram has observed that Ashok is more decent than either his wealthy father (Mahesh Manjrekar) or older brother, who’s nicknamed the Mongoose (Vijay Maurya). Unfortunately, though, old habits die hard. Neither Ashok nor Balram is immune to the proclivities of his respective class, leading to an uncomfortable situation that threatens to derail Balram’s quest to move up in society.  

With an amoral and ruthless “hero,” a keen awareness of social injustice and a tendency toward dark humor mixed with tragedy, The White Tiger will remind many of 2019’s Oscar-winning South Korean film, Parasite. The newer work isn’t quite that sublime, but it does entertain and challenge viewers in the process of venting its righteous anger.   

Promising Young Woman: 4½ stars (out of 5)

The White Tiger: 3½ stars (out of 5)

Promising Young Woman can be viewed at select theaters and is available through VOD outlets beginning Jan. 15. The White Tiger was released to theaters (including Columbus’s Marcus Crosswoods Cinema) on Jan. 13 and will be available through Netflix beginning Jan. 22. Both films are rated R.