COVID-19 drives the plot in Indian-American romcom

The COVID pandemic turns Rita (Geraldine Viswanathan, left) and Ravi (Karan Soni) into unwilling housemates in 7 Days.

By Richard Ades

“Meeting cute” is a time-honored romcom tradition. Set in the early days of the pandemic, 7 Days offers a new variation in the form of “meeting COVID.”

When Indian-Americans Ravi and Rita (Karan Soni and Geraldine Viswanathan) hold their first date, we’re informed that it takes place in March 2020. Viewers will instantly know why that’s significant: March 2020 was the month that Everything Stopped.

Actually, their date takes place about five minutes before Everything Stopped. The two are taking precautions such as wearing masks (a historical inaccuracy, as the average person didn’t have access to masks until months later), but they’re still able to travel and meet other people. However, that soon changes.

By the time the date comes to its awkward end and they return to Rita’s nearby home, they learn that Ravi is stuck there because the agency that was to supply his rental car has shut down. Reluctantly, Rita offers to let him spend the night on her couch. As you might surmise from the flick’s title, that night stretches into a week’s worth of sheltering in place.

The first directorial effort of Roshan Sethi, who co-wrote the script with Soni, 7 Days is set firmly in the world of Indian-American courtship. Like many stories involving the children of immigrants, it involves a clash between the traditional and the modern.

Ravi belongs to the traditional camp, eschewing meat, alcohol and premarital fooling around, and he assumes Rita is the same. After all, he met her through a traditional dating website. Soon after becoming her houseguest, though, he learns she was only putting on an act to satisfy her mother, who pays her rent. In fact, Rita is the exact opposite of the kind of wife he’s looking for.

At times, 7 Days is like a romcom version of The Odd Couple, pitting the neat mama’s boy Ravi against the sloppy, rebellious Rita. (When he first sees Rita’s messy home, Ravi assumes she has roommates, only to learn she lives alone.) But as the story progresses and the two are forced to face an unexpected challenge, such easy humor is replaced by something deeper and more subtle. At the same time, the two leads—particularly Suni—add nuance to their comedic portrayals.

Do opposites attract? That happens a lot in run-of-the-mill romcoms, but 7 Days may have something else in mind. With the help of brief interviews of actual married couples that are shown in the early moments, it examines the possibility that love is something that’s built with the help of empathy and familiarity rather than being a magical force that appears out of thin air.

If that’s true, then just maybe the conservative Ravi and the free-thinking Rita have a chance to become a couple in spite of themselves.

Rating: 4 stars (out of 5)

7 Days (no MPAA rating) is available through VOD outlets beginning April 26.

Misconceived romcom may appeal to Wham! fans

Last Christmas
Things start looking up for Kate (Emilia Clarke) after she meets Tom (Henry Golding) in Last Christmas. (Universal Studios)

By Richard Ades

Take the trappings of a romcom, add a dash of A Christmas Carol, set the tale in a festively lit-up London and fill the soundtrack with a whole bunch of George Michael songs. What you end up with is a holiday movie that’s guaranteed to appeal to—well, George Michael fans.

It’s hard to see who else would be attracted to the gauzy, glittery confection known as Last Christmas. Especially after the flick throws in a last-minute twist that is likely to please no one.

Co-written and produced by Emma Thompson, the story centers on Kate (the lovable Emilia Clarke), a young woman who is spiraling downward for no reason that is immediately apparent.

Maybe it’s because she works as an “elf” in a Christmas-themed store but really wants to be an actor. Or maybe it’s because she can’t stand being around her mother (Thompson), who insists on singing downbeat songs from their native Yugoslavia.

Then again, the store is run by a Chinese immigrant named Santa (Michelle Yeoh) who is supportive and patient even when Kate screws up. And her mother is a kind woman whose main fault is doting on her wayward daughter. So what is Kate’s problem?

Eventually, it comes out that her doldrums began after a health crisis that would have killed her if she hadn’t received a heart transplant. But again, it’s not quite clear why the ordeal has left her feeling depressed rather than lucky to be alive.

No matter. Things start looking up after Kate meets Tom (Henry Golding), a buoyant stranger who encourages her, literally, to start looking up—the better to discover overhead surprises she otherwise would have missed. She quickly grows to love this mysterious stranger who seems too good to be true.

Uh-oh. If you’re a romcom fan, you’ll know that can only mean their relationship is about to hit a snag, though it’s probably not the kind you envisioned.

Last Christmas is directed by Paul Feig, who helmed 2011’s entertaining Bridesmaids and 2016’s disappointing Ghostbusters. Here, he compounds the script’s problems by turning London into a sparkling wonderland where even homelessness is a joyful experience. He also stops the action frequently for perky music video-style montages. None of this helps us to understand miserable Kate or her need for a savior like Tom.

London, of course, was the setting for Dickens’s A Christmas Carol, the classic tale of a miser who finally learns that the purpose of life is to help others. Last Christmas tries to teach a similar lesson, but it mostly gets buried under the glut of glitz, jollity and George Michael tunes.

Rating: 2 stars (out of 5)

Last Christmas (PG-13) opens Nov. 8 at theaters nationwide.